Berend Strik, Deciphering the Artist’s mind

Berend Strik, Deciphering the Artist’s mind

Deciphering The Artist’s Mind: fremdkorper (Studio Koreans)

How is art transcending the artist’s historical and physical creative action? Dutch artist Berend Strik’s ongoing project Deciphering the Artist’s mind is the unfinished travel initiated in 2012 around past and present art memory, taking form in an immense body of photography artworks. 

Since the visit of Manhattan studio of Marcel Duchamp, Strik has been taking for photography subjects these particular private places, where the energies and vibrations of the creative process suddenly reveal their history through the eyes of the Dutch artist. Photographing parts of the studio architectural space, Strik prints his work and adds multi-layered narratives through colored textiles stitched on the surface, composing a completely transformed work. Informative, interpretative, a tribute to influential figures, his three-dimensional photographs are like a mise en abyme, the capture of an exclusive moment of exchange between Strik and the different artists while conveying a personal theoretical reflexion on art. 

Deciphering the Artist Mind – Studio W.D.K.

The international artists of each 68 studios visited by Berend Strik, – be them contemporaries or renowned past art history figures, like the studios of Jackson Pollock, Lee Krasner, John Baldessari, Martha Rosler, and others – are dimly present in the works at a phantasmagoric level. He demonstrates the intemporality of the creator’s soul, absent from the studio but still existing in the dialogue he establishes with the electrifying resonance of the studios’ creation memory.   

 Revolving his problematics around the myths of art creation, he endeavors to converse with the genius consecutively coming into being, artwork after artwork, in an intimate physical setting. The magic of the studio appropriated by the photograph is thus an endless investigation of the artistic mind projected into reality, and the seemingly impossible quest to conjure up the artists’ essence.   

Deciphering Artist Studio's Mind - John Baldessari

Deciphering the Artist Mind – Studio W.D.K.

 In the continuity of the ambitious photography project, Berend Strik is pursuing the project with a book Deciphering the Artist’s mind designed by the internationally famous Dutch graphic designer Queen of Books Irma Boom. Promising to be a “real oeuvre d’art”, the illustrations of the book associated with Berend Strik texts and with Marja Bloem will offer new narratives and a complementary outlook to his artwork. Completed with a conversation of Berend Strik with selected artists, the book will be published in spring 2020. 

 Corinne Timsit and Berend Strik are announcing their collaboration on current and future projects. 

 Berend Strik was born in Nijmegen, The Netherlands in 1960, and lives and works in Amsterdam. He has exhibited in numerous art galleries, solo exhibition shows and major art institutions (Stedelijk Museum Amsterdam, Tilton Gallery: New York, 5th Biennale d’Art Contemporain de Lyon…) and is present in large collections (The Centraal Museum, Utrecht; Museum de Lakenhal, Leiden and Haags Gemeente Museum, S’Gravenhage)

 

 

 

Miguel Chevalier Digital Supernova at Cathédrale Notre-Dame de Rodez

Miguel Chevalier Digital Supernova at Cathédrale Notre-Dame de Rodez

Chevalier will be exhibiting a new  generative virtual reality installation. Thirty different colored networks of light, combine with beautiful pictures explosions of massive stars and supernova remnant, develop one after the other. For this monumental creation between art and science, Miguel Chevalier worked with astrophysicist Fabio Acero, a specialist in supernova remnant to create a virtual reality projection that brings viewers outside of their reality and transcend the walls of the church to the projected astral heavens above. 

In part with the Siècle Soulages, Cathédrale Notre-Dame de Rodez will present the large-scale art installation of renowned digital artist— Miguel Chevalier. The exhibition titled Digital Supernova, will be on view from August 8-18 on the vaults, ogives, and transepts of the Cathédrale Notre-Dame de Rodez in Rodez, France— an exhibition from a larger program of events celebrating 100 years of the artist Pierre Soulages. Chevalier previously showed another installation Pixels Noir in April at the Soulages Museum as another event of this program.

The installation combines not only Chevalier’s recognizable generative realities and light networks but also brings viewers into this virtual world through the music of Jacopo Baboni Schilingi, Adam Bernadac, and for the opening — Frédéric Deschamps. A long collaborator, Schilingi has worked hand in hand on  numerous installs by Chevalier. Combining visual visions and fantasies with music audiences are brought into the seemingly endless astral realms of Chevalier’ universe in the gothic structures of the cathedral.

Installation View of Digital Supernova at Cathédrale Notre-Dame de Rodez.

Enthusiasts of Chevalier may find Digital Supernova reminiscent of his 2015 installations  Complex Meshes and Dear World… Yours, Cambridge installation in Durham Cathedral and King’s College Chapel in England. It seems Chevalier, following his theme of expansion and generation developed the original idea further in this upcoming presentation. Viewers be in awe of the astral projections and then find themselves noticing the intricacies of Chevalier’s displays with the light networks they are projected through— adding complexity and depth.

Chevalier has long been influenced by patterns, networks, and systems that reveal themselves through nature. This is evident through installations such as Extra-Natural and Trans-Nature. Arguably most representative of this theme could be Fractal Flowers a giant virtual garden that evolves to ad infinitum. Chevalier refers to this work as a garden which show his constant reflection and reference back to nature. This balance between nature and computer generation are what give Chevalier his distinct aspect of  surrealism. Showing us the realities and systems of nature through computer generation, Chevalier acts as a figurative translator. His works are able to serve as evidence of reality explaining these systems and fundamentally meta. Digital Supernova shows us the extents to Chevaliers interests in nature and generative worlds on a new,  astronomic level . 

Digital Supernova
August 8-18, 2019
Cathédrale Notre-Dame de Rodez, Rodez, France

Carlos W. Desrosiers:  The Experience, an immersive exhibition in Paris

Carlos W. Desrosiers:  The Experience, an immersive exhibition in Paris

“When a piece is done, it always feels like a complete song to me.
There is no more instruments, notes, or tones needed.“

 

Carlos W. Desrosiers’ upcoming exhibition from June 23 to July 31 at VOS Paris challenges the status quo of exhibiting art on limited formulated canvas. The American self-taught artist from New York presents The Experience, revealing his original 9 paintings from his “What you see” The collection splashing out from their core basis and becoming materially alive in the entire space.  

 

 

Liberated from its frame, the vitality of the painting invades the room on various supports, which results in an augmented viewing experience. Like independent phenomenons emerging from the original work of his paintings, his ‘Figures’ take up space on the windows or walls. Fragments are hanged to the ceiling, while three-dimensional sculptural unities become autonomous living organisms. The jumping off point art piece multiplies itself through an explosion into other lives in the exhibition.

Through an organic body of work of installations, photographs, signed multiples, or prints, the artist cultivates his aesthetic of vibrant colors surge. He incorporates writings and natural elements as energies that assist the work in the creative process.

The exhibition is accompanied by music as a means to awaken awareness for the vibrations of the art. The artist becomes aware of the completion of the work when it resonates wholly, as both music and art can touch a higher frequency. The colors tones he applies frenetically, like music notes dancing on the drawings, interact with what is true to the soul, and trigger all the senses.  

On the main original canvas, the thick layers of paint are the essence of his “panning technique”, a process usually associated with audio recording. Infinitely adjustable and rotative, his works exceed the fixed gaze and suggest an expansive view and endless possibilities of interpretations.

 

 

The Experience is thus incredibly immersive and takes the individual into the heart of the latter’s self universe. Moving forms devoid of a figurative depiction, his collection of paintings morphs depending on what resonates to the viewer’s subconscious. Carlos W. Desrosiers is adamant about knowing what people perceive in his abstract landscapes, unfolding what is beyond our past and life experiences. He always seeks to manifest a different reality with innovative perspectives, and to truly engage with the everyday curious onlooker, stating that his work is “a clear mirror of self for the observer.”

Carlos W. Desrosiers’ artistic expression hinges indeed upon this notion of movement and collective subconscious. His genius resides in his creative power and spiritual overview, his belief that every object of the world possesses innate wisdom. Before considering himself as an artist 6 years ago, he had an inner desire to transfer his knowledge of the mind and “the esoteric and healing power of men” into a tangible way to awaken humanity.

 

 

Very passionate about all healing techniques including Taoism, self-development, and kinesiology, he was impacted from a young age by the “healing world” as his father is a naturopathic doctor. His thirst for knowledge, the consciousness of his self-awakening paved the way for the discovery of his real duty as an artist, and each crafted piece revealed him new techniques.

When first meditating on art history, he felt an immediate connection with Jackson Pollock’s artistic splattering as an intuitively free and uncontrollable process. What Carlos W. Desrosiers calls his “subconscious reprogramming” techniques takes on form in the painting act through losing control of his hands, leaving the physical element and unlocking his hidden potential.

 

“Beautiful images emerge out of the erratic and out of the chaos”

 

 

 

With parents coming from Haiti to America, Carlos W. Desrosiers was born in New York City in 1988. While not having an economically privileged background, Desrosiers worked at a golf course for 12 years only to later be emerged into the world of Rap music as an A&R manager at the age of 17. Developing a strong rapport with artist and working on different projects and albums, Desrosiers quickly became a key component to artists and their recording process. He has been evolving in the highest spheres of the Rap/Trap music industry, being very close to top renowned artists like Rihanna, Travis Scott, and Migos.

He created in 2012 his first body of art still in progress named “What You See Collection Private Experience”  including over 20 artworks exhibited at Art Basel Miami and at The Fearless Artist Art Basel Pop Up Gallery in December 2015. His “Living abstract” body of artworks and murals were shown in Lower East Side Manhattan, New York City in February 2016.

 

The Experience by Carlos W. Desrosiers
From 23 June to 31 July 2019
VOS Paris
21 avenue Kleber 75016 Paris

Mayasa Al Sowaidi : Revisiting the essence of Tea

Mayasa Al Sowaidi : Revisiting the essence of Tea

Bringing together historical narratives of the West and the Middle East and to demonstrate the cultural richness of Bahrain, Mayasa Al Sowaidi will be presenting her series Art of Tea”  in collaboration with Corinne Timsit Art Advisory (CT2A). More than 20 artworks will be exhibited in this exploration of the theme of tea, its transcendence and essence through its transformation as a tool for artistic creation and expression.

Mayasa Al Sowaidi builds metaphorical bridges between the art of ceremonial tea-tasting and aesthetical and visual art. Artifact of everyday life, tea is nevertheless one of the most fundamental products of globalization, historically significant and culturally important as a ritual experience, also spiritual, creating social unity.

“Tea is a drink of rich heritage. Just as a collage relies on the recycling of used materials, so the tea leaves were given another chance at immortality, by affixing them onto a canvas for us to taste in another form, to sip art differently.”

Like papyrus or parchments, the tea leaves are fully integrated on the eroded canvas, colored in imitation of the brewing water. Tea bags are covered by recurring motifs of static birds anchored on branches, or keys and locks images. They reveal themselves as symbols of freedom to reach in our materialistic world of over-consumption, as human beings or ‘non-beings’ reduced to numbers.

Mayasa Al Sowaidi had also been part of the Bahrain Art Week 2018 at the Grand Palais, showcasing many artists of the Bahrain art scene, growing with emerging talents and artistic energy. Far from misconceptions, the important position of women artists in Bahrain is not new, regarding the cultural and unique specificity of the island country globally renowned for its natural pearl production. While men went fishing for months to find pearls, the country’s responsibility was left to the female population who still hold today a great power in the society.  

Not solely a self-taught painter, Mayasa Al Sowaidi also has a Bachelor of Science degree in Mathematics from the University of Bahrain and is currently completing her doctorate – with her research paper focusing on emotional intelligence – at the Management School of Grenoble, France.

The artist explores in her artistic practice since 2005 her own freedom of expression and creativity, and the notions of harmony, balance, and order as components of her apparent fragile collages. Her pieces reflect her skills as a writer as well as that of an artist, each telling a unique story.

 

 

 

A hopeful breath at the MCA with FEDERICO HERRERO

A hopeful breath at the MCA with FEDERICO HERRERO

Currently exhibited in the Museum of Contemporary Art Chicago, Federico Herrero has taken over the two-story entrance of the MCA space, with his Alphabet project a recurring motif of communicative and playful patches of colours from the wall to the reflection of coloured lights on the ground.

After a 10 months joint collaboration with the museum through an impressive mural installation, the occasion for an immersion into the colours and the vibrations of the room will soon be ending. Until May 5 2019 the international Costa Rican artist invites the visitor to penetrate the new environment created with enticing pastel colour blocks reminiscent of the flora and fauna of Herrero‘s tropical birthplace.


Observable from the painted windows of the atrium, the city’s buildings are covered and transformed with the artist bright blue, yellow, orange filters. The swift change of season in Chicago allows for a continuously mutable exploration of the relationship between nature and public urban culture, between art and social life.

 

 

Born in 1978 in the midst of the natural density of San Jose, Herrero was influenced by graffiti and urban art, media, and everyday city art but also recalls color field painters and Central America muralist tradition. From his first notoriety at the 2001 Venice Biennale as a young artist, his artwork gradually progressed into more abstract and less figurative forms. The artist has developed his oeuvre from canvas paintings to mural and monumental pieces, usually breaking free from the wall space, challenging usual space restrictions like grounds, corners, ceilings, and windows, in his artistic expression of a chaotic and joyful landscape.  

 

 

Although his paintings first appear as patterns of geometrical drawings or as the mental forms of a mapping process, his idea of linguistic chromatic shapes in the Alphabet exhibition comes across as the perception of living, “jumping from place to place” pigments, crossing boundaries and giving new life and vividness to the environment. He uses a conventional painting technique to produce a multicolored and visual sign language in order to engagingly interact with the architecture and the city of Chicago- directly through formal colours.

One of the world’s largest museum, the MCA was founded in 1967 and offers inventive displays for new contemporary artists, with a permanent collection including more than 2,000 works. The current installation is organized by MCA Associate Curator José Esparza and Pamela Alper Associate Curator.

 

Today, Herrero’s wide range of artworks can be seen worldwide from numerous exhibitions in museums or galleries to public installations and he has become one of the major figures in the Latin America contemporary art scene. This October he will be exhibiting at the James Cohan Gallery while his future solo shows will take place in Brazil at the Niterói Contemporary Art Museum in Rio de Janeiro in August 2019 and in São Paulo at the Pivô art center in 2020. In his native San José, Herrero will also show his projects at the Museo Nacional de Costa Rica in 2020.

 

5 artists from our “Contemporary Art in Israel” issue

5 artists from our “Contemporary Art in Israel” issue

Shai Kremer

Shai Kremer is an Israeli artist born in 1974. He studied at the Camera Obscura School of Arts in Tel Aviv where he obtained his M.A, later on going to the School of Visual Arts in New York where he obtained his Masters of Fine Arts. His artistic practice spans from landscape photography to more experimental creations such as his series Perception. His work was exhibited in reputable art fairs like Art Basel Miami, Art Chicago, Les Rencontres d’Arles, Paris Photo, The Armory Show, Tseva Tari and more. His work has been nominated to numerous prizes such as the BMW Paris Photo Prize, the Henri Cartier Bresson Award, the HSBC Photography prize, and has won the Photo Folio Review Prize at les Rencontres d’Arles. Furthermore, his works are in prestigious collections like in the Metropolitan Museum of Art
in New York, the San Francisco Museum of Art collection, the Museum of Contemporary Photography in Chicago, the Tel Aviv Museum collection, the Musée de la Roche-sur-Yon collection and more.

Atomic Mushroom, 2017

Raida Adon

Raida Adon’s work explores women’s condition and concepts such as belonging, border and the limitations of the body. In her videos she recurs to the colour red and black embodying death and femininity. She was born in Acre, Israel in 1972 and assisted the Bezalel Academy of Arts and Design in Jerusalem. Her first exhibition was in 1996 at the Artists House in Tel Aviv. Aside from her artistic career, Adon is also an actress working for television, theater and the film industry. In 2008, she won the Minister of Culture and Education Prize for Palestinian Art and in 2011 the Minister of Education Prize for most prominent Israeli Artist.

Michel Na’aman

Artist Michal Na’aman was born in 1951 at the Kvutzat Kinneret in Israel. Her oeuvre, often described as pertaining to conceptual art, delve in issues such as language and gender. She studied at the art College of Ramat Hasharon and later obtained her Bachelor of Arts at the Tel Aviv University. Her first solo exhibition was called “Vai Hai Oh” at the Yodfat Gallery in Tel Aviv in 1975. She continued to showcase her work all over the world in countries such as the United States, Germany, Switzerland, Greece, England, Italy, and more. She has won several prices and scholarships such as the Meir Dizengoff Prize for Painting and Sculpture in 1998, the Jacques and Eugenie O’Hana Prize for a Young Israeli Artist in 1981, the Sandberg Prize for Israeli Art in 2002, the Israeli Prize in the field of visual arts in 2014 and many others. Her work is in museum collections like the Tel Aviv Museum and the Israel Museum among other private collections. Since 2005, she is associate professor at the Midrasha Art School of Art in Kalmania.

Death of the Savior has Arrived, 2006, oil and masking tape on canvas, 130 x 100 cm.

Tanya Preminger

Tanya Preminger is a Russian artist living and teaching in Israel since 1972. She studied at the Surikov Academy Arts where she obtained her M.A in Sculpture. Her grandiose sculptures can be ascribed as land art as they engage organic materials and are to be found on the outdoors. She has participated in numerous residencies like at the Houston University residency program in the United States (2002), the residency program at the Pedvale Art Museum in Latvia (2009) or the Artis Grant for the Setuchi Triennale in Japan among others. Her work has been displayed in numerous international exhibitions in countries such as Argentina, Japan, South Korea, Italy, China, Russia and more.

Death of the Savior has Arrived, 2006, oil and masking tape on canvas, 130 x 100 cm.

Fatma Shanan Dery

Fatma Shanan Dery’s oeuvre focuses on realistic, large scale paintings where she depicts the village of Dreuze in Israel. Born in 1986, she studied at the Oranim College in Israel and with the artist Eli Shamir. She participated in numerous residency programs such as the Home Base Project in Jerusalem in 2014, the ArtPort residency in 2016 and the Peleh Fund Residency in California in 2017. In 2013 she won the Pais Culture Council Grant for her solo exhibition “a single Continuum”, the Artis project grant in 2016, the Haim Shiff Prize for Figurative-Realist art given by the Tel Aviv Museum of Art in 2016 and more. Among other collection, her work pertains to the Israel Museum collection, the Luna Art Fund in Tel Aviv and New York, the Rivka Saker and Uri Zucker collection and others.

Untitled, 2017, oil on canvas, 66 x 100 cm

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