Philippe Gravier presents Parent & Kuma at FIAC

Philippe Gravier presents Parent & Kuma at FIAC

Galerie Philippe Gravier will be exhibiting the sculptural works of French sculptor Claude Parent as well as Japanese architect Kengo Kuma for the very first time on the most iconic of all Parisian squares: the Place de la Concorde. The location is a development of the FIAC Hors les Murs promenade in the Jardin des Tuileries, and the architectural project presents a combination of historic and contemporary architecture and artists’ houses. Around 40 sculptures and installations will be presented in situ, within a number of locations around Paris including the Petit Palais, around the Grand Palais, and on Avenue Winston Churchill.

The fascinating selection of artworks scattered around Paris gives artists and galleries an opportunity to enter into dialogue with historically rich Parisian heritage, at the same time giving passersby an opportunity to engage with art against a beautiful scenic backdrop.

Claude Parent: Blending Form and Function

Philippe Gravier presents Parent & Kuma at FIAC

The French-born Claude Parent (b. 1923 – 2016) is one of France’s most renowned architects on the international art scene, admired by many, particularly that of Jean Novel. Parent was the founding father of the ‘Function of the Oblique’, alongside friend Paul Virilio, which established a new relationship with the ground based on instability and irregularity. He believed that buildings should feature slopes, ramps and angles, be wall-free wherever possible and have a predominance of space over the surface; it is these qualities that embody the piece Les Ilots that will be installed at Place de la Concorde. Irregular, discontinuous forms and sloping lines are remarkably combined. Les Ilots is composed of steel and aluminum, which are at once objects of furniture design as well as sculpture.

Kengo Kuma: An Alternative Experience between Architecture and Landscape

Philippe Gravier presents Parent & Kuma at FIAC

The Japanese born Kengo Kuma (b. 1954 – present) provides a new perspective between bamboo, traditional Japanese wood, paper, and textiles. He lives and works between Paris and Tokyo, and the heritage of Japanese culture and the modernity of contemporary architectural forms inform his discourse in perfect harmony with nature. The artwork that will be presented at Place de la Concorde entitled OWAN introduces rhythm and diversity into spatial experiments. The piece was influenced by a variety of materials including a traditional Japanese tea bowl and fish scales, creating its multifaceted outcome. By fusing the metal with its natural environment, a contour that is never defined, OWAN combines the indoor with the outdoor creating a nomadic, modular, and durable artwork that introduces a sense of rhythm to the landscape in which it is placed.

 

Post-War Italian Art: Tornabuoni at Frieze Master’s

Post-War Italian Art: Tornabuoni at Frieze Master’s

Tornabuoni Gallery was founded in 1981 in Florence (Italy) by Roberto Casamati, specializing in Italian art of the 20th century. Spanning across Europe and the United Kingdom, the gallery has spaces in Florence, Milan, Forte Dei Marmi (Italy), Paris (France), London (UK) and Crans Montana (Switzerland). For its third consecutive year, TornabuoniArt will be returning to Frieze Master’s (4th – 7th October) in London at Regents Park. Aiding the discovery of several thousands of years of art in a unique contemporary context, Frieze Masters will feature more than 130 leading modern and historical galleries from around the world, showcasing art from the ancient era and Old Masters to the late 20th century. Running parallel to the fair at their London space, TornabuoniArt will be exhibiting a selection of works by the artist Afro Basaldella entitled ‘Afro: Gesture, Line and Colour: The Makings of an Abstract Expressionist’.

Spotlighting the best of 20th Century Italian Art

 

Tornabuoni presents Italian Post-War at Frieze Master’s

GIUSEPPE-CAPOGROSSI, Superficie 266, 1951-54, oil on canvas 65x50-cm

Amongst the 9 artists that will be presented at the fair perhaps one of the most notable is Lucio Fontana (b. 1899 – 1968), who focussed his artistic principles around the concepts of time and space, contributing to the aesthetic movement Spacialism. Following this Fontana started making holes on the surfaces of his paintings, deepening his spacial research, and imparting a 3 dimension to his paintings by working on them as a sculpture. His works were all different versions invariably entitled Concetto Spaziale.

Enrico Castellani (b. 1930 – present) , also presented at the fair, was closely acquainted with Fontana, along with Vincenzo Agnetto and Piero Manzoni. These key figures of the Italian avant-garde strongly protested against Informal Art and wanted to develop a new pictorial language. Castellani rejected mimetic art and believed that light, shadow, and space had to be included in the painting without being actually represented with descriptive means. He created his first Superficie, now emblematic of his work, as an answer to his ideas. These works consist of monochrome paintings pushed and lifted with hidden nails behind the canvas. Castellani still give relief to plane surfaces and creates striking light and shadow games.

Another iconic artist one gets to awe at amongst the masterpieces at the fair is Piero Dorazio, who, after a break with figurative painting, contributed to the Forma I manifesto in 1947, alongside Pietro Consagra, Achille Perelli, Carla Accardi and Julio Turcato. Markedly inspired by futurism and expressing leftist political views, the manifesto strongly contrasted with socialist realism, as illustrated by Renato Guttuso. It signaled Dorazio’s full embrace of abstract art and served as a guideline for the rest of his work. Dorazio pursued his career with a cubist approach, then futurism, with bright, contrasting colors. Although his work can appear scattered, the guiding principle remains the movement of the hand, which also serves as a basis for color and light.

 

Tornabuoni presents Italian Post-War at Frieze Master’s

PIERO DORAZIO Jeux de distance, 1962 oil on canvas, 81x100 cm

Female Representation

Carla Accardi (b.1924 – 2014), was a key figure in the Italian abstract art of the latter half of the 20th century, she also contributed to the Forma I manifesto in 1947. In the early 1950s, she was the only woman represented in a number of shows and exhibitions featuring Alberto Burri, Lucio Fontana, and Mattia Moreni. During that period she worked with an incredibly limited palette, almost monochrome and minimalist, in response to Jackson Pollock’s action painting. Her chromatic dynamism had a major influence on the Arte Povera movement, both in Italy and Europe.

The full list of artists at the fair include Giuseppe Capogrossi, Alberto Burri, Libio Basaldella Afro, Lucio Fontana, Salvatore Scarpitta, Enrico Castellani, Piero Dorazio, Carla Accardi and Mario Ceroli.

Tornabuon Art will also be present at FIAC, Paris (18th – 21st October) where they will be exhibiting the art of Giorgio Morandi, Lucio Fontana, Emilio Vedova, Piero Dorazio, Enrico Castellani, Dadamaino, Agostino Bonalumi, Alberto Biasi, Alighiero Boetti, Paolo Scheggi, Pier Paolo Calzolari, and Mikayel Ohanjanyan. Their Paris space will be dedicated to a show exhibiting the works of Alberto Burri, who will also be present at their booth during Frieze Masters.

Special Projects at 1-54 Contemporary African Art Fair

Special Projects at 1-54 Contemporary African Art Fair

Athi-Patra Ruga - Night of the Long Knives I - African Art

Image courtesy Athi-Patra Ruga and WHATIFTHEWORLD, Night of the Long Knives I, 2013

 

Returning to London for its 6th edition, 1-54 Contemporary African Art Fair will be held this year at Somerset House. The 42 galleries from across Europe, Africa, the Middle East, and North America bring together a diverse set of perspectives from around the world with over 130 participating emerging and established artists, with 10 solo shows from selected galleries

We are so proud of how far we have come since our first London fair in 2013. Following the launch of our inaugural Marrakech fair in February and our fourth New York edition in May, we have gone on to develop new audiences for contemporary art from Africa and its diaspora across three fairs and three different continents. The growth and popularity of the fair is a real testament to the shift away from Euro-centric art-historical narratives.” states Founding Director of 1-54, Touria El Glaoui.

 

African Art Fair : Spotlight on Ibrahim El-Salahi and Athi Patra Ruga

This year the fair celebrates one of the most significant figures in African and Arab Modernism, Sudanese artist Ibrahim El-Salahi, with his piece Meditation Tree that will be exhibited in the Somerset House courtyard as an extension of one of his first public sculptures. Represented by Vigo Gallery, El-Salahi’s artistic practice has been influenced by the Haraz tree which grows along the banks of the Nile and is indigenous to Sudan. This specific tree drops its leaves during the rainy season and flourishes throughout the dry season. In its idiosyncrasies, is said to be very near the Sudanese character, underscoring his ongoing investigation into the tree / body metaphor.

 

El Salahi - Meditation Tree- african art

Ibrahim El-Salahi
, Meditation Tree, 2018
Polished aluminum 68 x 54 x 46 cm


 

Internationally renowned South African artist Athi Patra Ruga will also be exhibiting a free exhibition in collaboration with Somerset House as part of the Special Projects program, Of Gods, Rainbows and Omissions (4 October 2018 – 7 January 2019). Marking his first major solo UK exhibition, he brings together three seminal bodies of work – The Future White Women of Azania (2012-15), Queens in Exile (2015-17), and The Beatification of Feral Benga (2017- present). Ruga reveals a mythical world which challenges ones perception of cultural identity and parodies the construction of the South African nation-state in the post-apartheid era. Through his work, he explores a possible humanist vision for the future, immersing visitors in his vibrant world filled with powerful and striking characters.

1-54 Contemporary African Art Fair – Hours

Somerset House, London, 4 – 7 October 2018
Thursday 4 October 11:00 – 19:00
Friday 5 October 11:00 – 19:00
Saturday 6 October 11:00 – 19:00
Sunday 7 October 11:00 – 18:00

VIP & Press previews
Press preview: Wednesday 3 October, 9:00 – 18:00
VIP preview: Wednesday 3 October, 9:00 – 18:00
Vernissage: Wednesday 3 October, 18:00 – 21:00 

Inspiring Actions, Martin Schoeller at Paris Photo with Pernod Ricard

Inspiring Actions, Martin Schoeller at Paris Photo with Pernod Ricard

Elna Nordstrom - Pernod RicardAry_Ganeshalingam - Pernod RicardIlargi_Leturia_Ugarte - Pernod Ricard
Ary Ganeshalingam – Global Marketing Manager
Chivas Brothers Ltd – London, United Kingdom
© Martin Schoeller pour / for Pernod Ricard

 

Elna Nordström – Product Development Manager Operations.
The Absolut Company – Ahus, Sweden
© Martin Schoeller pour / for Pernod Ricard
Ilargi Leturia Ugarte – Global Brand Manager
Pernod Ricard Winemakers – San Sebastian, Spain
© Martin Schoeller pour / for Pernod Ricard

German photographer, Martin Schoeller worked conjointly with the French company Pernod Ricard to photograph some of the faces that constitute the company’s spectrum of employees.

The idea behind this project was to take 18 portraits of Pernod Ricard’s employees all over the world in order to show to the public the people who construct and expand the brand’s name. With the texture and light characterising Schoeller’s portraits, the photographer highlighted the brand’s work ethic and aimed at bearing witness of the importance of each employee. Every portrait is different and captures the detail of the person photographed, Schoeller thus highlights the uniqueness and beauty of the members of the company.

Pernod Ricard Group often calls upon contemporary artists to campaign with them to put under the spot their employees and their importance within the company. Among other artists who have participated we can cite Omar Victor Diop, Li Wei, Olaf Breuning, Vee Speers, Marco Lopez and more. Martin Schoeller  (b. 1968, Munich, works and live in New York City)  is the 42th artist invited to participate in this kind of project, perpetuating the tradition and bearing witness of Pernod Ricard’s commitment to contemporary art.

At the end of 2017, the campaign will be exhibited at Paris Photo 2017 international fair from 9  to 12 of November at the Grand Palais.. “This people are our ambassadors for our values and become a source of inspiration,” stated Olivier Cavil, director of communication for Pernod Ricard.

Art Basel Hong Kong opens its fifth edition

Art Basel Hong Kong opens its fifth edition


Art Basel Hong Kong opens to the general public on March 23, but ArtPremium’s team gathered for you the highlights of the fair so you don’t miss them. One of the most astonishing artworks presented at the fair are the wax sculptures of communist leaders in their death bed made by the Chinese artist Shen Shaomin. Fidel Castro, Vladimir Lenin, Ho Chi Minh among others are exhibited, testifying perhaps communism’s death. Even though Art Basel is essentially an event destined to collectors and those capable of acquiring art, the fair is an indicator of the state of mind of artists and of the general public. Eko Nugroho’s in Arario gallery is an installation showcasing migrant protesters carrying banners, possibly referring to the critical situation of displaced individuals all over the world. Thus, the fair is more political and committed to the social cause than in  precedented years.

Nevertheless, not the whole panorama obeys the same rules, and here it one of the most attractive features of the fair: it’s eclecticness. Kukje gallery presents an incredible work by the South Korean artist Kimsooja, its perfect shape alongside the colours of the object make it an aesthetic object, captivating our view. Dinh Q. Lê sculptures on acrylic are also a must see at the fair. The configuration of the artwork seemingly challenges physics while questioning the frontier between abstraction painting and sculpture. In partnership with the Google Arts Center, Art Basel invited artists such as Cao Fei and Sun Xun to his program Talks and give their opinion on the experience with the tilt brush.

The increasing importance of virtual reality in the field of arts is visible at the fair. Tony Oursler unsettling piece is a reminder of the near future awaiting us, were thinking machines and humans will coexist. Art Basel Hong Kong takes place at the Convention & Exhibition Centre from 23 to 25 of March.

Lagos Photo Festival 2016

Lagos Photo Festival 2016

lagos-tsoku-maela-broken-things-family-portrait
Tsoku Maela – Broken Things – Family Portrait

For instance, The Uncanny, a photography serie by the Belgian photographer Leonard Pongo, unveils the everyday life of a group of Congolese people living in the outskirts of the city. Pongo decided not to focus on the country’s poignant upheavals but rather on banality, on rituals taking place everyday. Azu Nwagbogu, curator of the festival intended to elucidate photography’s function as a polysemic object: document, message, record and image, photography’s changing personality has the power to affirm and to be a witness for the upcoming generations, of our current world.

Photography thus “assumes the role of demiurge who has created the world”, and at the same time challenges it by proposing other realities. Juno Calypso’s work A dream in Green shows the naked body of a “green” woman in a mirrored bathroom, the provocative posture of the woman and the odd colour of her skin could question femininity. Jenevieve Akin’s work titled Great Expectations, name of the eponym book by the British author Jane Austen, portraitures another woman wearing a bride’s dress. These photographs might refer to the importance of marriage and the meaning behind this uniting act nowadays. The model is shown in the kitchen and the conjugal room, both places confining and isolating her from the outside world.

lagos-mila-autio
Mila Autio – 4 set of diptychs printed 70 cm tall

Moreover, fashion appears as an identity asset; patterns, flashy colours and forms are representative of Africa’s cultural heritage. Ishola Akpo, Bruno Morais and Flurina Rothenberg among other photographer’s works bear witness on African’s inventiveness on this particular field. Nevertheless, identity is explored as a global issue within the work of South African artist Gideon Mendel. His series Submerged depicts the threat of floods in countries like Brazil, the United States, Pakistan and more.

lagos-the-department-afrocorrectional

Lagos Photo Festival underlines photography’s perennial position as a memory keeper and costumes perpetrator of contemporary societies, a cognitive tool permitting the viewer to look carefully and hence to understand from another angle.

 

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